Our is by two of LOCOG’s regional Creative Programmers, Debbi Lander (Northwest) and Richard Crowe (Southwest) who reflect on their impressions of Vancouver, having spent time in the city during the Olympic Games. They emphasize the importance of approaching the Games time project not just as an opportunity to develop a legacy for the nation, but also for the creative sectors involved with building work around the programme. They also consider what presence work from the regions and nations will have in London’s cultural programme during Games time.

Apart from the unique views that the elevation provides, the installation is also user interactive, people interested being offered the opportunity to influence the design of the light show and dedicate it to anyone or anything they might wish. A variety of dedications have already lit the skies of Vancouver, including a plea for more snow in Whistler.

According to Janet Miller, Manager of Communications for the Cultural Olympiad,  there have been around 11,000 submissions on the website from 134 different countries.

For those interested in influencing the nightly trajectory of the light beams, the site can be accessed Once registered the code, an email will be sent indicating when the created sequence will be projected. 4 active webcams are broadcasting the movement of the light beams at all times.

Originally developed for the Millennium Celebrations in Mexico, “Vectorial Elevation” is part of CODE, the showcasing digital work that encourages people from across the globe to take part in and interact with.

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The installation has also been on display in Lyon and Dublin.  However, for the Winter Olympics  “Vectorial Elevation” has been substantially extended, being now considered one of the world’s largest interactive artworks.

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Taking advantage of the influx of  Olympic visitors, the promotes the endives of local artists throughout the Village as part of its Arts Walk, which links 43 host galleries together hosted by a variety of spaces from coffee shops to hotel lobbies. However, it’s not only these locations that promote artistic interest. The centre of the village offers as well plenty of opportunities to explore or observe artwork.

Among these displays, the projects that aim to get the public involved are the ones that stand out the most. One such example is Oliver Roy’s , a self-described Snowboarder – Artiste, activity that involves putting a canvas out into the village and encouraging children to come add some paint to it and work with some of the draft designs already in place.

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The final pieces are to hang as a permanent fixture of Main Street, Whistler Library, long after the Games left the village.

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A popular destination with tourists, the arts and recreation centre has embraced the Games, hosting many of the Cultural Olympiad events such as that of Tanya Tagaq, an Inuit throat singing with orchestral and contemporary influences. It has also created a community ‘living room’ with big television screens allowing people to come together to enjoy the sports.

However Diana Vandeveen, Roundhouse programme co-ordinator, declares she was shocked when ten of her staff had to be laid off a week before the Olympics started due to money diverted to finance the Games.

“order viagra canada”, according to Diana. In non-Olympic times the Roundhouse provides arts and recreational activities focusing on families and wellbeing of senior citizens.

The programming of the Roundhouse has been substantially reduced and the community centre had to rent their space to Casa Italia, the Italian House, for the eight weeks of competitions. The Roundhouse is not the only arts establishment whose funds were reduced in the eve of the Winter Games. Last year in September, members and supporters of the arts community in Vancouver against the cuts at the grounds of the .

With Montreal finishing to pay its 1976 Games debt only last year, questions over the faith of Vancouver’s community projects remain open.

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50% of the proceeds raised from the ’We Rock ‘ art exhibit will be given to the YWCA and are aimed to fund programmes designed to help educate children from deprived backgrounds.

Wesman, who is known for his seven official portraits created for the Calgary Games as well as for his later work, which was commissioned for the 1988 Seoul Summer Games, explained that he has a long history with the YWCA and the Olympics, and he believed that marrying the two together for the purpose of charity was a great idea.

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The auction is located at the YWCA Hotel in Hornby Street where visitors can both view and leave bids on the paintings.  The auction closes on the February 28^th.

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The technical operations centre for the Vancouver Games, Atos Origin has its offices located at a distance from the events. It is there alone that they house over 800 services, 6,000 computer terminals and employ a team of more than 2000 working in 12 hours shifts to overlook and maintain the systems during Games time. Patrick Adiba, Executive Vice President of Olympic Games for the company states that their one goal is “dorder viagra canada”.

Looking forward, Atos Orgin’s work has already began to prepare for the forthcoming 2010 Singapore Youth Olympics and London 2012 games – with plans to continue their work within the Olympic movement with Sochi 2014 and Rio 2016. At the same time, they are working with representatives, preparing the layout of infrastructure and finalising partnerships with mobile communication companies in the UK.

Atos Origin are working towards the generation of the “Olympic Data Feed”, designed together with the IOC, in order to aggregate all data streams to the newswires, websites and Olympic intranet in order to provide a consolidated source of information. In addition to this, Atos Origin are looking of ways to “virtualise” their current infrastructure to allow for less energy and hardware than was used during the 2008 Beijing Games.

The 2010 Winter Olympics are being held within the traditional shared territories of the Lil’wat, Musqueam, Squamish and Tsleil-Waututh. Organisers of the Pavilion hope that the high media exposure the Olympics brought to the host city will give greater publicity to the diverse first nations of Canada. “order viagra canada” said Tewanee Joseph, CEO of the Four Host First Nations Society.

The main attraction is a 720 degree special effects show, projected onto the dome roof of the main arena. (photo flicker, inside abo expo) It highlights the stories of the Aboriginal communities of Canada, focusing on the four host nations of British Columbia. Speaking in the lobby, General Manager, Karyn Holyk thinks “order viagra canada”

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Citizen journalism is nothing new to our world of available technology. It has become second nature for people to capture their experience, events or news in their environments on their phones, cameras or computers. We live in a world were journalism is an action and all of citizens have stepped forth into that call to action.

However, this is the first Olympic Games of its kind were the real stories that are happening are not necessarily the ones that are showcased by the sponsor holding media companies. The internet with its free social platforms of , , ,  and  have cascaded into the landscape from which fans are acquiring their in-real-time coverage of culture, events and community of the Olympic Games.

has been out in Vancouver covering the very broad spectrum of events that are occurring in the city upon the official arrival of the . From the opening ceremony, to press conferences, to torch relays and event demonstrations,  has been covering these events and capturing fans and media covering these same events for themselves.

Photographic Recap of Citizen Journalism that is present at the Olympic Games:

Citizen journalists  and  hold up the media accreditation badge for the . TNMH is an independent media house for the Vancouver Winter Olympics and provides media accreditation to citizen journalists of all types.

Another independent media house that has arisen during the Vancouver Winter Olympic Games if the . This independent media house, located in the DTES, is providing space for many Vancouver media outlets like the  and . It is also providing space to organizations, like the , that are providing community services during the month of February.

, aka , is a podcaster, blogger and all around social media maven. She has been actively covering the Vancouver Winter Olympics for her ver popular Vancouver community site.

There is only one official media accreditation for the Vancouver Winter Olympics, but since there are many more media organizations that are covering the games that just the official one, other forms of accreditation have formed.  who runs the site  is holding up his  media accreditation badge.

Often times as citizen journalists, our main vantage point is through the lens or view finder of our camera. We see the world as it is captured in documentation. Here is an HDR shot of the a  media installation called . This installation is live at the w2 Woodwards Media + Culture House for the entire duration of the games.

There are many people who actively involved in citizen journalism and can recognize their actions as such. The real revolution is happening within the everyday community members, fans, and general public who are recording their lives in digital documentation and then sharing it on the internet for their friends, family or the world to see.

For the past year and half,  has been documenting the story of social media as it plays into the preparation of the Vancouver Winter Olympics and the city of Vancouver as whole. Produced by  and titled , this documentary tells the digital evolution of many stories including ,  and .

The gentlemen was a participant of an anti-olympic rally that convened at the  on the same day as the Opening Ceremony of the Vancouver Winter Olympics. There were many cameras at the rally, with everyone wanting to document their direct experience with the massive gathering.

In the same light that a protestor might want to capture their experience in a retrospective format, the opposite side, the police department, utilizes the same tactic to work against the protestors. Whether it is for visual documentation for a later catalogue or a later examination, the police department are acting in part of citizen journalists and creating media for their own community.

Often times like a silent third party, the citizen journalist can be caught in the line of cross-fire in such events as demonstrations and protests. The symbiotic relationship of the police, protestors, and photographers can be a dance of fierce neutrality. Here  of  and our , , are seen in the middle of a large demonstration.

Our first response, during any kind of tragedy, is to immediately share this knowledge with the ones we know. Our instant accessibility to sharing via our cell phones is a valuable resource. Here the public is shown immediately sharing the news of the anti-Olympic demonstrations that caused property damage in downtown Vancouver.

The  held a  a mere days before the beginning of the Vancouver Winter Olympics. Geared towards making a massive statement to the press about their actions during the games, both traditional and citizen journalists were there to cover this monumental event.

The 3rd Annual  took place in Vancouver, to bring light to the many social and economic travesties that are present in Vancouver, even as a present-day host city. Here is a community member filming the satirical event as a testament to the needed voice that this events provide.

The Legal Observers are a group of citizen witnesses to act as public eyes to the ongoings of the street-level events during the Olympic Games, mostly when police presence is involved. There are two groups of Legal Observers present at the Vancouver Winter Olympic Games: Legal Observers from the Lawyers Guild and Legal Observers from the Vancouver community. The main priorities of these observers are to record data during events, badge numbers, arrests, violence and anything else that could need a witness testimony.

is a great example of a citizen journalist making the most fun out if an experience. Geared up as the ‘‘, Wheeler followed the Olympic Torch around its journey throughout Canada, documenting his whole  experience on video. Not only did he follow the Torch along its vast Canadian route, Wheeler also coupled the documentation with a travel-style viewpoint of the many facets of Canada and the adventures to be had.

Everyone has the ability to capture their own experience through film or photos, even when there is a strife tension between the two subjects. Here is a protestor making a visual testament to the police visibility that was seen during the Olympic demonstrations. Citizen journalism has a presence everywhere in Vancouver.

Citizen journalism is an action. By the simple means of documenting our world around, whether with our fancy cameras or our always handy cell phones, we are actively participating in sharing our experience with the world. It is not really how is happening but that it is happening all the time. We are journalists and the world is full of our news.